At the end of the poem, Duffy professes, “That glamour love lasts where you sparkle and waltz and laugh before you were mine,” employing pathos by awakening emotion in the audience; Duffy feels that her mother has sacrificed her glamour to have her, linking to the religious element with the shoes she thought of as relics. This is underpinned when she states “I remember my hands in those high-heeled red shoes, relics…” The noun “relics” gives veneration for the past her mother has experiences.

The possessive tone of the baby and its self-centredness also suggests the poem is about how children change and come to rule their parents' lives.[/table]. The thought of me doesn’t occur…” Duffy then continues to inform the reader about her gratification of dancing and being content once again.

Type: This seems to be Duff's way of expressing just what a hold a child has over a parent, perhaps, in particular a mother.

Free proofreading and copy-editing included. The effect is like a film with the sound down, Duffy, and the reader picking things up through gestures and expressions. The self-centredness of the child its impact of its mother's life is suggested by the poem starting with. Clearly, though the baby changed her life completely and there is a feeling of regret on behalf of the poet that her mother lost some of her carefree energy, stopped being 'the bold girl winking'. Copying content is not allowed on this website, Ask a professional writer to help you with your text, Give us your email and we'll send you the essay you need, Please indicate where to send you the sample. There are no metaphors, or similes, for instance. Using non-standard sentences and punctuation to convey the rhythm and pauses in speech. What impression do you get of the mother from these descriptions? Science Teacher and Lover of Essays. The reference to 'your ma' also suggests how. To do this, 'Your polka-dot dress blows round your legs. Carol Ann Duffy; 2 Before You Were Mine. Essay, 10 pages. This sexual element is brought in again with “in the ballroom with the thousand eyes.
Duffy seems to be able to see the relationships from both sides, aware of what the mother by having her child. Furthermore, the poem is divided into four regular stanzas of five lines each giving the poem regularity. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are

Type: We don't hear (until the end) or smell the mother, because this is a poem inspired by an image, by a photograph.

Professional writers in all subject areas are available and will meet your assignment deadline. The mother appears to have been glamorous, energetic and happy: In line 5 Duffy compares her to the famous 1950's actress Marilyn Monroe. This is highlighted again when Duffy professes “Before you were mine, your Ma…” Everybody experiences similar events. Marilyn”, referring to the film star. The language the child uses is very simple; short sentences beginning with 'I', 'me' or 'mine' in them. Addressing her directly, asking her questions: 'The decade ahead of my loud, possessive yell was the best one, eh?' Retrieved from https://studymoose.com/analysis-of-a-poem-before-you-were-mine-essay, This is just a sample. It only takes seconds! Marilyn', 'In the ballroom, with the thousand eyes', 'Under the tree,... small bites on you neck.'. Duffy appears to be looking at an old photograph of her mother and is re-creating how she imagines her mother's life must have been when she was a young woman. This is elucidated by “bend at the waist” and “shriek. Showing the differences, First 3 stanzas start of with a reminder of distance between poet and mother’s youth. 4 equal stanzas which are 5 lines each. What does the last line in particular suggest about how the baby changed her? This gives the impression that Duffy is guilt-ridden for besmirching her mother’s pleasure. Type: But throughout the poem there is also a sense of possessiveness the child has for the mother. For instance, the statement “stamping stars from the wrong pavement” which implies that she has left Glasgow and no longer with her friends, laughing, she is no longer in the literary ballroom and she is no longer the glamorous person associated with Marilyn Monroe but she is a mother with her child and an immense responsibility. Essay, 3 pages. Tutor and Freelance Writer. You … We know what is going to happen to the 'laughing, sparkling girl.'. ” The reoccurrence of the possession by the child gives the reader a sense that Duffy’s mother had lost her freedom. In the first two stanzas they are separate. There seems to be some regret about how the baby changed its mother.

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