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He has a PhD in English from the University of Exeter and lectures in Creative Writing at the University of Birmingham. A whisper passes round;His orchestra is tiptoeing awayFrom the four-poster bed in …. The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. What are you trying to do? At the time he was reported to have said “I’m on the shortlist with people I studied at A-level” (The Observer, 2007). This is a story about a geyser of untranslatable thoughts. His last collection, Cain (Penned in the Margins, 2016), was shortlisted for the Dylan Thomas Prize. Our catalogue store includes many more recordings which you can download to your device. He lectures in the School of English at the University of Birmingham. The surrealist elements in Kennard’s work are perhaps a reflection of his own personality. Luke Kennard is a poet and novelist based in Birmingham. Offical and quite dull biography beneath an offical and strangely happy and lovely picture: Luke Kennard is a poet and novelist. In 2008, when asked by The Guardian “What made you want to write when you were starting out?” he replied “The desire to write a science-fiction epic, told backwards by eight unreliable narrators.” Kennard is regional editor for Succour, a biannual journal of new writing and visual art. He has also published two chapbooks, Planet Shaped Horse (Nine Arches, 2011) and The Necropolis Boat (Holdfire Press, 2012) which won the Poetry Book Society’s pamphlet choice in 2012. To be serious for a second, we were thrilled and honoured to have LUKE KENNARD’s first pamphlet since 2012 – Truffle Hound – to kick of our new experimental pamphlet series in 2018. Tercets. Nobody points and laughs. © 1909 - 2020 The Poetry Society and respective creators • Site by Surface Impression. You know when you accidentally hug someone too hard and there’s a moment where they struggle or say oof. and from there things get “worse” which is to say “ ‘worse’ ” and the protagonist is a man who forgets all of his body parts so he has labels attached to all of his body parts and labels attached to the labels to remind him what labels are and why he needs them and a tertiary set of labels with caveats. Offical and quite dull biography beneath an offical and strangely happy and lovely picture: Luke Kennard is a poet and novelist. Kennard’s poetry has a strong absurdist link; David Bowden (Culture Wars, 2009) calls him the “fresh-faced poster boy of the New Absurdist movement”.

84 – A New Anthology on the Subject of Male Suicide – Submissions Details. He holds a PhD from the University of Exeter and currently lectures in Creative Writing at the University of Birmingham, specialising in teaching poetry and writing for the stage and screen. Rather unconventionally the speech then turns into a running commentary of a film the groom once showed to his film-class, which in turn is a commentary on the difficulties of convincing your bank manager to extend your credit because you have been diagnosed with depression.

BibliographyThe Solex Brothers, Stride Books, 2005 (reprinted by Salt, Cambridge, 2007)The Harbour Beyond the Movie, Salt Publications, Cambridge, 2007The Migraine Hotel, Salt Publications, Cambridge, 2009Planet-Shaped Horse, Nine Arches Press, Rugby, 2011LinksLuke Kennard’s collections are published by Salt An interview with Luke Kennard in The Guardian An interview with Luke Kennard by Caroline Bird, We returned from the war happier, arms around our shadows—Who claimed to be older than us. Let’s be honest. In ‘The Murderer’ (The Harbour Beyond the Movie) the poem’s narrator takes the murderer for coffee (glibly joking: “‘Make sure you don’t murder your coffee!’”), followed by a game of badminton, during which the narrator cannot help point out that “When he wins, I say, / ‘I guess you got yourself in pretty good shape / Murdering all those people.’ / I’m not about to let the murderer forget he’s a murderer.” In ‘The Best Man’, a prose-poem originally written as a speech for a wedding, we are first told of how, as a child, the groom got his tongue stuck in a door-lock.

His criticism of poetry and theatre appears various publications, including The National, Poetry London and the Times Literary Supplement.

They told great …, My friend, your irresponsibility and your unhappiness delight me. She said It’s entirely dependent on context and I said What’s context? Kennard’s style blends the modern day fairytale with amusing philosophical comment. His most recent chapbook is Mise en Abyme (Tungsten Press, 2019). He sleeps! The little things – old phone-numbers on crumpled post-it notes, an unusual knot in the wood of his bedstead, a new freckle – are the things that entertain him most. His first book, The Solex Brothers, won him an Eric Gregory Award from the Society of Authors in 2005. If I saw someone pointing and laughing I’d point and laugh at them. Go tell it on the mountain. His mixture of free verse and prose poems are linked by surreal themes and strong yet mysterious characters. His mouth trickles blood like a tap quarter-turned. Violence. Department of Film and Creative Writing Reader in Creative Writing.

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