But the “Pink Panther” films were always a hit-or-miss mélange of the funny and the slapdash corny, and there’s an underlying zaniness to the Sellers mystique that to me, at least, doesn’t age that well. Sellers figured out early on that no one knew what they were doing, and he reacted by attempting to sabotage the production. On review aggregator website Rotten Tomatoes, the film holds an approval rating of 95%. “Ghost in the Noonday Sun” is a godawful picture because Peter Medak didn’t do the job of figuring out what the hell the movie was, so he and the crew were basically making up this POS as they went along. Get the Best Fireproof Safes for Secure Storage in 2020.

In spite of all the trouble Sellers caused, Medak still loves and admires him and wanted to tell this story. The truth of the matter is, none of us knew how nuts.” That’s one way to look at it. ‘The Ghost of Peter Sellers’: Film Review Peter Medak's documentary looks at one of the worst movies ever made — a 1974 pirate comedy starring Peter Sellers that Medak himself directed.

Peter Medak's documentary looks at one of the worst movies ever made — a 1974 pirate comedy starring Peter Sellers that Medak himself directed.
Call me a heretic, but I’m someone who never gloried all that much in the comedic awesomeness of Peter Sellers. The film was somehow completed, but Columbia Pictures never released it to theaters. Sellers was then at the apex of his stardom, but not at his creative peak. I make a point of this because there’s a kind of cult for the idea that Peter Sellers was a mad genius: the guy who had no self and only came into being when he played a character, the Swinging Sixties devil who stole movies right out from under their creators.

It is a comic-tragic feature documentary about what it takes to be a film director and survive one's biggest disaster. [3] Film Critic Todd McCarthy, writing in The Hollywood Reporter praised the film for its detail, calling it a "can't-take-your-eyes-off-it documentary". The 2018 film illustrates the insanity of the 1973 production, while illuminating a rising young director. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. It’s certainly fair game to make a documentary about an infamous film disaster — a movie like “Heaven’s Gate,” or maybe “Doctor Dolittle” (the sections about that one in Mark Harris’ “Pictures at a Revolution” are a jaw-dropping farce of ineptitude), or Dennis Hopper’s “The Last Movie.” There’s a meaning to the failure of those films, to the way they reach for the stars and fall on their faces. One answer is provided by the film’s financial backer, the London production leviathan John Heyman, who says of his lead actor, “It’s not as if we didn’t know Peter was nuts. Another way to look at it is that Peter Sellers was the most sane person on the picture — the only one who could see it for what it was. Medak, for one, is still in awe of Peter Sellers, and “The Ghost of Peter Sellers” is his weirdly fond look back at the darkest moment of his own career. The 1973 failed effort with Sellers put a significant damper on Medak's career.

It’s a record of the kind of damage that a debonair misfit like Peter Sellers could cause when he put his mischievous (and maybe, in some ways, unstable) mind to it. “The Ghost of Peter Sellers” is the anatomization of a cinematic shipwreck, but there’s also a kind of nostalgia at play. What followed was a game of cat and mouse between Sellers, Director Peter Medak, cast, crew and movie executives as Sellers repeatedly attempted to shut down the film. Sellers was in a personal and professional void at the start of filming; his recent failed relationship with Liza Minnelli and a number of poorly received films had spun him into a dark period, giving rise to a roller coaster of incidents during production, from sabotage to mutiny, from agonizing shooting schedules in cold temperatures to Spike Milligan’s frantic on-set rewrites. The director, the Hungarian-born Peter Medak, was coming off his acclaimed but over-the-top aristocratic satire “The Ruling Class,” and he knew he’d rushed into production without figuring out what his movie was, so he put all his faith in Peter Sellers. Too woozy and historically absentminded and indulgent,” the kind of lurching failure that might be rejected for not meeting the standards of “Mystery Science Theater 3000.”. The Ghost of Peter Sellers is a 2018 feature documentary film, directed by Peter Medak and produced by Paul Iacovou.

Medak had made three well-received films in five years,[2] including ‘The Ruling Class’ in ‘72 with Peter O’ Toole (nominated both for the Palm D’Or and an Academy Award).

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