it was just like a movie, it was just like a song ♫, Readers’ Top Histories and Biographies of the Last 5 Years. I don't ever care for actors enough to want to read their bio, but I have idolized her for years. [citation needed]. Thank goodness I waited for John Oller to write his book instead! [30] On the contrast between films in Hollywood and plays in New York, Arthur commented: I don't think Hollywood is the place to be yourself.

Famously introverted, Arthur said in one of her rare interviews, “The only times I’m self-conscious is when I’m Jean Arthur. Bringing us back to square one: Clurman had issues with her voice. The latter was her final film, and the only color film in which she appeared. by Limelight.

[54] She had no children by either union.

Back in Hollywood, Arthur saw her career deteriorating, and she dyed her hair blonde in an attempt to boost her image and avoid comparison with more successful actress Mary Brian. "[45], Arthur retired when her contract with Columbia Pictures expired in 1944. She pretty much played the same character in all these films, a working girl finding excitement and romance in the hustle and bustle of the deco metropolis.

Only receiving $25 a picture, Arthur suffered from difficult working conditions: "The films were generally shot on location, often in the desert near Los Angeles, under a scorching sun that caused throats to parch and make-up to run. Much remains hidden because she was a virtual recluse.

She was one of the best actresses working in the genres of the screwball and romantic comedies of the '30s and '40s: wonderful in films such as "The Whole Town's Talking" (1935), "Mr. "[citation needed], While living in North Carolina, in 1973, Arthur made front-page news by being arrested and jailed for trespassing on a neighbor's property to console a dog she felt was being mistreated. She did not impress the film's director John Cromwell, who advised the actress to move back to New York because she would not make it in Hollywood.

I'm so glad the author wrote this book so we can have an insight to understanding this talented and delightful actress. She could be street smart and innocent all at once. Capra had spotted her in a daily rush[35] from the film Whirlpool in 1934[39] and convinced Cohn to have Columbia Studios sign her for his next film as a tough newspaperwoman who falls in love with a country bumpkin millionaire.

If a fur coat can descend from the sky, what else can happen? In that “HEYYYY” is Arthur’s boldness as an actress, her fearlessness in making big choices. (1940), she finds herself an accidental polygamist, and instead of rushing to rectify the situation, she instead revels in the attention, pitting one husband (Fred MacMurray) against the other (Melvyn Douglas). In Too Many Husbands (1940), she finds herself an accidental polygamist, and instead of rushing to rectify the situation, she instead revels in the attention, pitting one husband (Fred MacMurray) against the other (Melvyn Douglas).

[24] By 1930, her relationship with Selznick had ended, causing her career at Paramount to slip.

A lot, as it turns out. Jean Arthur has been my favorite actress for years, so I was happy to find this biography of her life. 1900 US Census, Plattsburgh, New York; and 1910 US Census, Cumberland, Maine.
Sheila O’Malley is a regular film critic for Rogerebert.com and other outlets including The Criterion Collection. [citation needed], Arthur next decided to teach drama, first at Vassar College and then the North Carolina School of the Arts. The film won an Academy Award for Best Picture with Arthur getting top billing. Johanna and Hubert were married in Billings, Montana, on July 7, 1890.

Arthur agreed with the director: "There wasn't a spark from within. Like Arthur those many years ago, Clurman heard a foghorn. Arthur, born in 1900, got her start in silent films. Even during her heyday, Ms. Arthur was an extremely private person--"America's Garbo," as she was called--and in the final decades of her life, snubbed all efforts from outsiders seeking autographs or interviews about her glorious past. The luminous star of Mr. Smith Goes to Washington, Shane, and other classic films was, as the subtitle aptly puts it, "the actress nobody knew. however towards the end it got a little depressing. As a result of being in dispute with studio boss Harry Cohn, her fee for The Talk of the Town (1942) was only $50,000, while her male co-stars Grant and Colman received upwards of $100,000 each. Oller explores the enigma of Jean Arthur.
She was cast on Banks's insistence, and received a salary of $700. The horrors of slavery in America return in Antebellum, an audacious thriller that revives thorny questions of how to portray the past, Susan Sontag, Sweden, 1969; Kino Lorber, DVD & Blu-Ray, More than words: the subtitler of Godard, Assayas, and others talks about the process in this accompaniment to our May-June 2020 Art and Craft article, When you talk about Jean Arthur, you have to talk about her voice.

Very interesting.

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