seefeldt what is digital history

Slack’s design seems intuitive, WordPress not completely. A reconstruction of this period in American history could not be done through printed sources. Third on their list is the variety of mediums digital scholarship can take its form in, these being picture, text, video, sound, and maps. Cohen joins the conversation when he discusses the age of abundance we live in, that is the abundance of source material and statistics. He concludes by claiming that “Only historians can decide whether history will participate in the intoxicating possibilities of a true hypertextual history, of a reconstituted social science history, of an entirely new kind of immersive history. Change ), You are commenting using your Facebook account. February 1, 2010. | Perspectives on History | AHA,” May 1, 2009. https://www.historians.org/publications-and-directories/perspectives-on-history/may-2009/what-is-digital-history. I feel my own view of digital history falls somewhere within in this broad understanding and definition of what digital history is. “What is Digital History.” Perspectives on History. Here we see William Thomas with his contemporary, Douglass Seefeldt, as they propose three areas of digital history. The American Historical Association (AHA) shares a variety of resources from several past conferences that address: General Resources; What is Digital History; How Can I Benefit from Digital History; Project Building Blocks; and Problem Solving. Spatial practice is “the segregation of certain kinds of constructed spaces and their linkages through human movement” (2). Ayers goes on to state that history may be the best suited field to utilize this new technology versus other humanities fields. Their following discussions center on their two other stages and then what they see as the future of digital history. The beginning of the article discusses the JAH definition of digital history: “anything (research method, journal article, monograph, blog, classroom exercise) that uses digital technologies in creating, enhancing, or distributing historical research and scholarship” (453). Murray, a leading critic of new media and narratives claims that the four keys to a successful narrative in an online setting revolve around the work being participatory, procedural, encyclopedic, and spatial. Their final problem with the digital world is that the majority of the globe does not have consistent, if any, access to the internet. A whole new field opened up around the concept of digital history as historians tried to experiment with the new medium. Douglas Seefeldt and William G. Thomas define digital history “as an approach to examining and representing the past that works with the new communication technologies, … an open arena of scholarly production, … a methodological approach framed by the hypertextual power of these technologies to make, define, query and annotate associations in the human record of the past”(What is Digital History?). Thomas, William G. “Is the Future of Digital History Spatial History?” Newberry Library Historical GIS Conference, March 2004. You’ll learn it quick! In this article, a variety of authors including Cohen, Frisch, Gallagher, and Thomas keep with the theme of this week’s bibliography by addressing the promises that digital history brings modern scholars. Change ), You are commenting using your Google account. Richard White discusses the Stanford Spatial History Lab in this article.

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