what are the 5 notes in the minor pentatonic scale

(E.g. They are hugely popular mainly because they are quite easy to play and are very easy to use in a musical situation right from the start. With each of the shapes we learn, there will be a chord shape that will go along with it. Pentatonic Scale Fluency: Available on Kindle and Paperback. (CAGED Shape C) This is sometimes thought to be quite a hard pattern to solo in... it is until you … It can be used over minor chord progressions and major chord progressions, which is common in blues music. The notes in a G major scale are G A B C D E F#. To turn our G major scale into a G major pentatonic scale, we just have to remove the 4th and 7th scale degrees.

For the A minor pentatonic scale, this gives us the notes A, C, D, E, and G. Practise: Play from the the high E-string to the low E-string and back. Each having 5 forms, So technically there is the minor pentatonic scale, and the Major pentatonic scale.

Read on for more about the pentatonic scale and why it’s so powerful in the general music classroom. Now you´re ready to learn the five patterns of the Minor-Pentatonic Scale. + a PDF-file with all pentatonic scales in the key of the solos.

Each pattern is moveable over the complete fingerboard. This means that they are often one of the first scales that guitarists learn and use in their playing. Notes: The pentatonic scale is the key to any blues solo playing .

Excercise: A simple Pentatonic-Lick (use bendings, hammer-ons as much as you like), * 10 files with "easy" Bluesrock solos * Every Solo as tab in a PDF-File and as a GuitarPro file. But there’s a simpler way… start with a major pentatonic scale (notes: 1, 2, 3, 5, and 6) and keep the same notes. Strum a G minor chord, then play the notes of the G minor pentatonic scale. The Pentatonic Scale consists only of 5 Tones and it exists in a major and minor type.

I teach guitar. The two notes removed are the 2nd and 6th intervals. What this effectively means is that the major and minor pentatonic scales use the same shape, but start on different notes. In this lesson, we are going to discuss the theory behind pentatonic scales and look at how to play them up and down the neck. For example, if we were to play Eb major pentatonic, all we would need to do to figure out the relative minor is go back one scale tone (to C) and we would know that C minor is the relative minor of Eb major. If we look at a major pentatonic in terms of intervals, we get the following: (from the root note) Tone – Tone – minor 3rd – Tone – minor 3rd.

Pentatonic Scale Fluency available from Amazon. The two should sound like they fit. The Pentatonic Scale consists only of 5 Tones and it exists in a major and minor type. The minor pentatonic scale is a versatile and widely used scale. The C major pentatonic scale has the following notes: The A minor pentatonic scale has the following notes: As you can see, both scales contain the same notes, but the root note is different for each. That will move the major scale into its relative minor… meaning you’re now using a minor pentatonic scale! To understand how to use it, as with any scale, we need to know what scale tones it contains. All Rights Reserved. Here are links to individual keys of both major and minor pentatonic scales and their positions along the guitar fretboard: I play guitar. Now see a shape for the A minor pentatonic scale: *Notes played: A, C, D, E, G. Compare these scales (C pentatonic and A minor pentatonic) with the scales of C major and A minor, respectively. It comes from the major scale, which is a seven note scale. Lastly, let’s have a look at the shapes of two relative keys to visually demonstrate how they are related. Something about pentatonic scales just ‘sounds good’. There are the 5 moveable major pentatonic positions on the guitar fretboard. There are 5 notes in the pentatonic scale. you have the keytone F on the 1st and 13th fret). Practice each playing through each position while paying close attention to the root note patterns for each position. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones.

This means that for every major pentatonic, there is a relative minor and visa versa.

This is a G minor pentatonic scale because the first note we play (sixth string, third fret) is a G note.

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