1) Form of theatre where actors faces are covered with masks. Thanks for contributing an answer to English Language & Usage Stack Exchange! It is usually based around having the same character traits, (for example, a hero, who is fearless and who the audience is rooting for, the heroine, who is usually in peril of some kind, which the hero rescues her from; the villain (usually likes the heroine too) and villain's sidekick (typically gets in the way of or annoys the villain).

It's important that the DSM does not shout out the next line, while the lead actor is pausing dramatically. Stage Left = PS (Prompt Side) French: Cote Cour, Netherlands: Toneel Rechts (translates to Stage Right!). The author of a play. See also GREASEPAINT.

Computerised tools which enable design teams to show directors and other members of the production team how lighting, scenery or scenic automation will look before the set is even built.

1) In acoustics, a periodic variation in amplitude which results from the addition of two sound waves with nearly the same frequency. A performance aimed at a schools audience. 4) It may also be a bad habit developed by some actors whereby unnecessary "gags" are introduced into the dialogue. Originally developed in the 1970s by choreographer Mary Overlie as a method of movement improvisation, The Viewpoints theory was adapted for stage acting by directors Anne Bogart and Tina Landau. The pacing of the show can have a real effect on how the audience react to it - it's a very tricky thing to maintain, especially as everyone gets more familiar with the show. A range of stock characters (Harlequin, Captain, Doctor, Pantaloon, Zanni, the Lovers etc.) It does not give permission to adapt, edit or rewrite any part of the work. REVIVALA new production of a performance (long) after its' inital run of performances has ended. The section of plot at the start of a play which provides essential background information about the characters, their situation, and their relationships to each other. The name comes from a film technique where the images is frozen in time. Physical theatre is a genre of performance which makes use of the body (as opposed to the spoken word) as the primary means of performance and communication with an audience.
When the protagonist reaches the end of the alley, she makes her decision.

This is usually carried out by a Choreographer, but choreography can be devised by a group of dancers. ABOVEAn actor move upstage (e.g. One person (the teacher or a participant) takes the role of the protagonist and walks between the lines as each member of the group speaks their advice. ASIDELines spoken by an actor to the audience and not supposed to be overheard by other characters on-stage.

REHEARSAL(from Latin hirpex - 'large rake used as a harrow'. SLAPSTICK1) Two pieces of wood loosely joined at one end, which make a loud 'slap' sound when used to hit something / someone. a nanny) he's said to have been cast AGAINST TYPE. to lighten the workload of the Director. NOTESFollowing a rehearsal (or an early performance in a run) the director will give notes to the cast and crew about where to make changes, improvements, cuts etc. Normally a variation of blue or red in colour, although a more neutral grey is often better for scenes played in front of it, or for taking colours and gobos as tab warmers.

CONSCIENCE ALLEYA useful technique for exploring any kind of dilemma faced by a character, providing an opportunity to analyse a decisive moment in greater detail. The eight aspects of Brecht's work that are analysed in the book are:1) The Subject Matter2) The Language3) Theatrical Influences4) The Music5) Theatrical Practice6) The Theory7) Politics8) The English Aspect.
WORKING REHEARSAL1) A rehearsal where the performance is worked on by the actors on stage and the director in the auditorium, giving very occasional direction and notes and solving issues as it progresses. From Greek. Does a battery's voltage fall to 0 V when it has run out? Now obsolete term for an actor who is neither the hero, heroine, villain or confidante in a traditional drama, but is nonetheless essential for revealing important plot points.

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